By Girija Madhavan A visit to the newly-widened Irwin Road in Mysore city, brought back in contrast, memories of the same road in 1965. Old landmarks, the Mosque, Temple, Post Office, Bank and Police Station are still there; but the old chaotic bustle has given way to modern sophistication. The road is named after Henry…
By Dr. Bhagirath S. Naganath [Continued from June 11] Rallapalli Ananta Krishna Sharma was 14 years of age when he composed his first Sanskrit composition. It was devoted to Goddess Lakshmi titled ‘Jalarashi Balelole.’ A compilation of his Sanskrit writings was published under the title of ‘Anantha Bharathi’ and had compositions like Sri Mahishura Rajyabhyudaya…
Eminent Telugu litterateur, Music Composer, Instrumentalist and Sanskrit Scholar Rallapalli Ananta Krishna Sharma was a Telugu lecturer at Maharaja’s College, Mysore, for nearly three decades. He was single-handedly responsible for discovering and putting to music many popular compositions by Annamacharya, Vemana and Kshetrayya, which had till then been all but forgotten. Many of these compositions…
By Dr. Bhagirath S. Naganath [Continued from yesterday] Maharaja’s College had a Common Room where everyone assembled to converse and exchange notes. T.S. Venkannayya (T.S.V.) was a regular participant in this arcadia and had a large fan-following among students and peers alike. A.N. Murthy Rao records that, although T.S.V. joined the Common Room as a…
T. S. Venkannayya was University of Mysore’s first Kannada Professor. He was responsible for nurturing such future literary giants as K. V. Puttappa, D. L. Narasimhachar, M. V. Seetharamaiah, G. Venkatasubbiah and S. V. Parameshwara Bhatta. He was the very life of Maharaja’s College ‘Common Room.’ He was instrumental in laying the foundations for University…
By Dr. Bhagirath S. Naganath [Continued from yesterday] Many of the students were from rural parts of Mysore. Subbanna realised that many of them would go back to their native villages after their schooling. With this in mind, he began to coach them in irrigation, harvesting and animal husbandry. Fortunately, around this time the Government…
By Girija Madhavan Memories are like faded flower petals in a ‘Pot-pourri’ jar; once vibrant blooms, their colour now dimmed, their life over. Yet, when the jar is opened, a faint fragrance still wafts out. Old memories too come to fleeting life again when revived. Apart from my personal recollections of early childhood, I also…
Ti. Nam. Shri, a grammarian par excellence T. N. Srikantaiah, known endearingly to a generation of readers as Ti. Nam. Shri, was a Kannada poet, writer, translator, teacher and grammarian par excellence. Groomed under the able guidance of M. Hiriyanna and B.M. Srikantaiah, he in turn would nurture and guide such scholars as S. Ananthanarayan…
H. M. Nayak described him as Kannada Senani ! His rendition of Mahabharata titled ‘Vachana Bharata’ remains to this day one of the most widely read versions of the great epic in Kannada. He introduced the great writers of Bengal — Tagore and Bankim Chandra — to a generation of Kannada readers through his translations…
By Dr. Bhagirath S. Naganath [Continued from yesterday] Acharya Patashala N. Ananthachar following his marriage moved to Bangalore for better prospects. Apart from odd jobs at Government offices and the like, he was sadly unable to make a decent living in Bangalore. Not one to lose hope, he set up a vegetable shop next to…
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